Sara Michas-Martin
Audition
halyards in the bay      steady the indoor voice      of the ocean      
the undertow mumbles its silhouette       an exhale        
elevated to a sigh       the full amplitude of motion     any object        
produces sound      when it vibrates in matter       
particles collide        with particles in front of them
which collide     with particles ahead      
until you hear water       hiss in the metal sink     
pipes clack elbows     the suck on the drain       
over trucks outside       wincing through gears     the person shouting
echo of high heels        pigeons warbling    
hammer     anvil      stirrup        
noise plays past the ear      marries us to time
its tricks with speed       and one-way argument       
sitting quiet        the reward of nothing      then letting 
a song decide     which mood to sink    
what other faculties       live as vacant      as crammed     
as spotted as this?        musicians organize sound 
for no evolutionary purpose       an audience claps       
hearing the rise      and fall    of pitch          
high notes swapped in    for higher notes       
a finger pressed firmly       to sound the matching key.
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